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2008 Rochester Biennial, Memorial Art Gallery, Rochester, New York
Melissa Sarat Painting Installations and Reviews
exhibition curated by Director of Exhibitions Marie Via,
with Curator of Education Marlene Hamann-Whitmore
photographs by James Via, Rochester, New York
Melissa Sarat Painting Installations and Reviews
exhibition curated by Director of Exhibitions Marie Via,
with Curator of Education Marlene Hamann-Whitmore
photographs by James Via, Rochester, New York
Rochester City Newspaper, Rochester, NY
Published by Rebecca Rafferty on Jul 16, 2008
Navigating the lushly chaotic labyrinth of imagery in Melissa Sarat's colossal and explosively colorful oil paintings is like playing I Spy, or stumbling upon Dionysus' forbidden garden party. The packed picture planes are inhabited by the unmistakable abundant flora and fauna of her Louisiana childhood home, as well as masked and costumed individuals who combine themes of power and madness (the artist was raised on the grounds of a mental institution). Sarat's feral characters, which she describes as "fierce guardian archetypes," possess a certain knowledge behind wild eyes, and symbolically combine mystical religious influence with her concern for the harm we cause to the environment and our own health.
Democrat and Chronicle, Rochester, NY, July 20, 2008
Stuart Low • Staff writer
...Melissa Sarat stuffs each canvas with vibrant Mardi Gras scenes from her native Louisiana. Sarat's Louisiana landscapes bristle with toads in teacups and mellow pussycats with a huge catnip buzz. Start off your tour with Sarat's oil paintings, which are guaranteed to jolt you into a state of heightened funkiness. In the 1960s, they'd have been hailed as acid-trip visions. Yet they precisely re-create this Cortland County painter's Technicolor memories of Louisiana. Every inch of canvas is crammed with Mardi Gras masks, bird nests and wildflowers. Their unnaturally bright colors and unpredictable sizes have an Alice-in-Wonderland quality. "She appeals to all five senses in painting life's rich pageant," says education curator Marlene Hamann-Whitmore. "Her work is mostly female-centered: She uses herself, her two daughters and her mom as models.
Rochester City Newspaper, Rochester, NY
ART: "Rochester Biennial"
By Dale Evans on Jul. 18th, 2008
By far the most surprising to me were Melissa Sarat's paintings. At first I thought they were quilted. They are so bright and plump that they seem almost three-dimensional. Brimming with symbolism, they transported me to a steamy bayou, replete with drug-induced dancing. I don't know much about art, other than what I like and don't like. But her work, I just know it is good.
Indianapolis Art Center, New Orleans Table, 2009
featured an opening evening fête de Mardi Gras with Buckwheat Zydeco
Melissa Sarat Painting Installations and Reviews
curated and photographed by Director of Exhibitions David Kwasigroh
